He was the very first Head of Story in PIXAR feature animation and I've had many talks with him about how that came about--but the likely reason that this position continues to be necessary is because he defined the role from the very beginning and is still the very best example of how to do it. To the benefit of all subsequent feature endeavors he had been part of and all future HOS's that have had to do the job anywhere. Mighty big shoes.
When I entered the building I saw Mari, Bill and Gaylyn at the stairwell, all visibly dealing with heavy emotions. It was only when Kevin Reher walked me into my office and told me I figure why. I got the wind knocked out of me. It is a massive surge of disbelief, I cannot process it still. I searched out the story people I've served with, Jason Katz, Jim Capobianco, Matt Luhn...People cannot say much but just gave each other embraces to quell the sadness. Eventually we all met at the atrium. It is the saddest day at Pixar. The population at work had never been this silent except for the sound of grief. Ed Catmull, visibly shaken walked out to deliver the sad news. John Lasseter stood beside him but could not speak.
Joe is the very best story man ever and the best human being I've known in animation. He is mentor, friend and inspiration to all of us who do this job. The last meeting I had with Joe was a Story Lead meeting where we share the collective known knowlege of those of us who've done Head of story jobs. Great stories of how to and why. And we earmark things we want to improve. As always with Joe it was about accentuating the positive and finding what works with people. I will miss him.
Our heartfelt prayers to his family. RDC